Kullu Dussehra

Apart from its beauty Kullu is also known for grand Dussehra celebrations. Declared as an international event in 1972 the magnificent festival attracts large number of visitors. Read on to know more about this international event.


Known world-wide Dussehra celebrated in Kullu is famous for its large number of visitors and grand celebrations. The festival starts from the Vijaya Dashmi day and continues for seven days. Kullu dusshera is little different from the celebrations in rest of the country; Kullu dussehra celebrations begin when the rest of the country closes the nine-day long festival.
The weeklong festival is celebrated in the Dhalpur maidan at Kullu in Himachal Pradesh state. The festival starts with paying respect to Lord Raghunathji. On the first day the statue of Lord Raghunathji is installed on a beautifully designed chariot which is pulled by ropes by the locals from its place to different sites across the maidan. The village Gods and minor deities are also a part of this celebration. The 7-day festival is filled with dancing, drinking and feasting. Thousands of people from all over

the country and world visit this place during Dussehra and the celebrations fill them with eternal happiness and satisfaction. On the last day of the festival, the chariot is brought by the banks of Beas River where a mass of wood grass is burnt, signifying the burning of Lanka.
The celebration of Dussehra in Kullu started in the 17th century during the reign of Raja Jagat Singh. There is an interesting story behind this. Raja Jagat Singh was told that a poor Brahmin named Durga Dutt has a bowl full of pearls. Raja wanted those pearls and sent his troops to get them. Durga Dutt was greatly harassed by the troops and on finding the torture unbearable, he locked himself in a room with his family and set fire to the house. He cursed the Raja for his cruel deeds. The Raja got restless and in his guilt he started hallucinating and used to see blood in place of milk and water and worms in place of rice.

Nothing helped Raja get out of this situation till he met a saint who told him that only the blessings of Lord Rama could save him. Raja sent his troops to the kingdom of Ayodhya and asked them to bring the idol of Lord Rama. The idol of Lord Rama was installed at the Raghunath temple. Then after this Raja showed signs of recovery and his dreams started vanishing and soon the whole state accepted the lord as their deity and celebrated the first Vijay Dashmi festival in the state of Kullu. From that day onwards the Kullu Dussehra festival is celebrated with great joy and devotion.
The festival of Dussehra renews the hope of a wonderful tomorrow in our lives. The festival symbolizes the coming of dawn after dusk and happiness after suffering. The festival inspires us to continue our good deeds and keep the hope alive in ourselves.

Celebrating ‘Fun and Frolic of the Tigers’ with Pulikali

A recreational folk art from the state of Kerala, Pulikali came into origin in 1886 on the fourth Onam day in the month of Chingam. Over the years, this festival has become synonymous with the harvest festival of Onam wherein colourful artists dressed as tigers entertain people through a typical recreational folk art dance…


PULIKALI a tiger dance of Kerala is performed by trained artists to entertain people on the occasion of Onam which is an annual harvest festival celebrated in Kerala. It is a colorful recreational folk art where artists dance wildly and mimic hunting moves to the beat of drums. The famous folk art is performed in different parts of Kerala but mostly performed in Thrissur district. Literal meaning of Pulikali is the ‘play of the tigers’ hence the performance revolves around the theme of tiger hunting.


It is a dance where young and old both participate with equal enthusiasm. Though the dance is performed mostly by men but lately few women and children also are a part of the group. It is fun to watch few female and child leopards too amongst the group. The entire scene looks very colourful and vibrant with artists wearing masks of leopard face and body painted in black and yellow. The colourful appearances of the artists make the whole atmosphere more vibrant. However getting the colourful appearance is not easy; it requires lot of patience and time. The dancers clean their body of all hair and then apply the base coat which takes 2-3 hours to dry before the second coat can be applied. The painstaking process can take up to 7 hours before the artists get ready. Leopard faces are also drawn on bellies and men with potbellies shake it and dance to the beats of instruments like Udukku and Thakil. The performance mostly revolves around the theme of tiger hunting.
This folk art is mostly performed on the fourth day of Onam and the best place to watch this show is at Thrissur where thousands of people gather just to watch and enjoy the lovely show.


It is wonderful watching humans in the guise of tigers roaming in the streets. Children simply love the show as scenes of tiger hunting are beautifully depicted by the artists. Many troupes from all over the state assemble in Thrissur to give their performance. Pulikali is not just restricted to Onam, it is performed during other festive seasons too.
The origin of Pulikali dates back to over 200 years when Maharaja Ramavarma wanted to celebrate Onam with a dance that reflected the wild and macho spirit of the force. It is worth noting the efforts made to preserve this 200- year old art by the artists of the state. Earlier masks were not used; instead the artists would paint their bodies and faces to give the tiger effect. But now, readymade masks, cosmetic teeth, tongues, beards and mustaches are used by the participants along with the paint on their bodies. Over the years the dance has become very popular and people come forward in great numbers to participate and enjoy the dance. The Pulikkali Co-ordination Committee, a unified council of Pulikkali groups formed in 2004 to preserve and propagate the art in all its true hues and tones makes great efforts in organizing the event and keeping the tradition alive.

Champakulam Moolam First boat race of season in Kerala

Kerala, which has been promoted over the past few years as ‘God’s Own Country’, besides being well-known for its soul rejuvenating greenery, culture and hospitality, is also widely popular for its annual snake boat race known as Champakulam Moolam


ONE of the most auspicious and exciting festivals of Kerala, the Champakulam Moolam is held in Pampa on the day of the ‘moolam’, which is followed in accordance with the Malayalam month of Midhunam.
Although Kerala takes pleasure in hosting a number of native boat races in the harvest season, the Champakulam Moolam is the first race of the season. Moolam signifies a Malayalam asterism (star or Nakshathra).
It holds much historic significance passed on to the locals through centuries. The traditional annual boat race of Kerala begins in late June and early July at Champakulam.
It is considered to be especially sacred as the deity at the Ambalappuzha Sri Krishna temple was installed on this day.
According to a famous legend, Raja Devanarayanan of Chempakasseri built a temple at Ambalappuzha, as suggested by the royal astrologers, but just before the installation of the idol of Lord Krishna, he was informed that it was not auspicious.

Hence, it became necessary to erect a suitable idol immediately. Luckily, the priests were aware of another idol which was placed at the Karinkulam temple in Kurichi.

Sacred idol
Moreover, this idol was believed to have been given to Arjuna by Lord Krishna himself, and was therefore considered to be sacred. After getting the idol from Karinkulam temple, the Raja’s men set forth by boat for the return journey.
They took shelter at night in the village of Champakulam where the host and his family showed great hospitality to the king and his men. The idol was duly installed the next morning where boats from the entire region assembled to escort it in a colorful, ceremonial procession through the lake to the temple.
The king was thoroughly pleased with the affection shown to him by his subjects. He declared that a great water carnival would be held at Champakulam every year and thus, began the Champakulam snake boat race and related events, which continue to this day.

On this day, the temple delegates enter the prayer room, where along with the Christian icons (the king was hosted by a respectable and kind Christian family at Champakulam) like the cross and statues of Jesus and Mary, the lamp, known as the Vazhakoombu Vilakku is given a place of prominence.

Exuberant boat procession
The temple priests then light the lamp and are then treated to a huge feast by the family. It is only after all these ceremonies that the famous Champakulam snake boat race commences. There is an exuberant procession of boats decorated with bright colored parasols and performances which greet the spectator before the race.
Massive boats dawn over the waters and ancient boat songs are hummed making it an exhilarating experience. This is the event that kicks off the boat racing fiesta, which takes over Kerala for the next few months.
This year, the spectacular festival was expected to start on June 28 and the conviviality is inevitable in the state.


Gayatri Jayanti

Aum Bhoor Bhuwah Swaha,Tat Savitur Varenyam Bhargo Devasaya Dheemahi Dhiyo Yo Naha Prachodayat’


THE foremost mantra in Hinduism, the Gayatri Mantra, is a prayer to the almighty for imparting wisdom and to light up the intellect to make it easier for the followers to walk on the righteous path.
Sage Vishwamitra first chanted this mantra on Jyeshta Shukla Ekadashi and from that day onwards, it came to be recognised as Gayatri Jayanti.

The relevance of this mantra is highest and it was given by Gayatri Devi or goddess Gayatri; hence, it is piously chanted during the festival of Gayatri Jayanti.
It is observed as the birth anniversary of Gayatri Devi, popularly known as the goddess of Vedas or Veda mata. Many accept her as the ‘Mother of all Gods’ and she is considered to be an embodiment of goddesses Lakshmi, Saraswati and Parvati.
The goddess appears with five heads, out of which four face the directions, which represent the Vedas, and the fifth faces the sky above, symbolising the almighty.

The goddess is portrayed sitting on a lotus and has 10 hands which bear the symbols of lord Vishnu.
Goddess Gayatri is also believed to be the second consort of lord Brahma. The story runs that Brahma had to start an important yagna, necessarily with his wife at a fixed time and his first wife, Sabitri was late.
Thus, to not avoid delay and further obstruction, in Sabitris absence he married Gayatri to start the yagna.
The significance of goddess Gayatri and her various portrayals make one realise why her followers celebrate this day with so much piousness and devotion.
Devotees offer special prayers and pujas to the goddess during this day. These are performed either by pandits or experienced elderly members of the family. Special satsangs and kirtans are performed by people from all communities and sects.

Worshippers rise early in the morning and perform the Shadopachara Puja. Those praying for knowledge and education offer the puja along with lillies, while the rest who pray seeking other things offer hibiscus flowers to the deity.
Women also observe the Deerga Sumangali fast on the day, praying for the long life of their husbands and traditionally offer turmeric powder and kumkum to the deity.
People seeking wealth from the deity offer puja with lotus flowers.


Dhungri Mela in Himachal Pradesh Celebrated with pomp and fervor

The festival celebrates the birthday of Hadimba, believed to be the wife of Bhima, one of the five Pandava brothers



Every year in May, the people of Himachal Pradesh celebrate the Dhungri festival with the utmost pomp and fervour. The celebration takes place in Manali, in the Hadimba temple, which is situated in the forest known as Dhungri Van Vihar.
This festival celebrates the birthday of Hadimba, who is believed to be the wife of Bhima (one of the five Pandava brothers). The great Hindu epic ‘Mahabharata’ tells the story of how Bhima fell in love with Hadimba and even

killed her brother, who was the ruler of the region then, to marry her. He stayed with her for around a year and they ruled the kingdom together, but left as he had to go back to his brothers and to his duties. Hadimba, however, kept on ruling over the region with righteousness and valour.
Her rule was so impactful that her subjects began to worship her as a goddess and built a temple in her honour. Built in 1553, it is now known as Hadimba temple and instead of an idol, enshrines a footprint of goddess

Hadimba. People from nearby places come to celebrate this festival and bring along with them the veiled, beautifully decorated idols of their own gods and goddesses.
Many of the local deities – including Kartik swami of Simsa, Chhandal Rishi of Parsha, Shrishti Narayan of Aleo, Shriganh of Jagatsukh, Vishnu of Shajla, Maladevi of Sial and Sankh Narayan of Nasogi – are paraded by their followers to Dhungri.


These are then carried in their own chariots by people who later unveil them and sing and dance to their own local tunes along with drum beats and a wide variety of local food.
Everyone dresses in their finest adornments and enjoys the famous ‘Kulu Natti’ folk dance which is performed by the local artists. They wear traditional tunics and caps and dance in a rhythmic fashion with their hands linked with one another.
This annual fair not only celebrates the rule of Hadimba, but also commemorates the birthday of Raja Bahadur Singh who built the temple. The fair, which is the main attraction of the festival, also celebrates the completion of the transplantation of paddy, known as Saroohni.
The festival usually takes place for three days, after which the procession moves to temple Manu, situated in the village of Manali.
It is a well-known festival of Himachal Pradesh and people of the region wait eagerly for it throughout the year. The magical and extraordinary sights, processions, music and merry making that take place during the fair are worth a visit. It leaves one awestruck and filled with glee and enthusiasm.

Parasurama Jayanti

Known as cleanser of the earth and the sixth incarnation of Lord Vishnu, Parasurama is believed to be immortal.



IT is said that the earth was ruled by kings who neglected their true duties and who were destructive and sinful.
It is also said that Lord Vishnu came down to earth as Parasurama, his sixth incarnation, to eliminate these kings and lighten the earth’s burden.

Born to sage Jamadagni, one of the saptarishis, and Renuka, the daughter of king Prasenjit, Parasurama was a warrior sage. He is said to have been born in the Haihaya kingdom, which was ruled by Kartaviryarjuna from his capital Mahishmati on the banks of the river Narmada.
His name was Rama, and the name Parasurama comes from his battle axe, which is known in Sanskrit as ‘parasu.’ Parasurama was a devotee of Lord Shiva and it is Shiva who gives him the axe.
One day, his mother Renuka, who goes to the river to collect water, is distracted when she sees a Gandharva. She has a fleeting attraction towards him. Filled with remorse and unable to return to the sage, she remains at the river bank.
Jamadagni comes to know of this through his powers. He is furious and asks each of his five sons to kill their mother.


When the first four refuse to do so, he turns them to stone. Parasurama, his fifth son, kills Renuka. A pleased Jamadagni grants him two boons.
As the first boon, Parasurama asks for his mother to be brought back to life, showing his dedication to both parents. For the second boon, he asks his father to bring his brothers back to human form. A pleased Jamadagni does so.

Once, Kartaviryarjuna, the Haihaya king, visits Jamadagni. Because of his divine cow, Kamadhenu, the sage is able to serve a feast to the king. An impressed Kartaviryarjuna asks the sage to give him Kamadhenu.
When Jamadagni refuses to do so, the king forcibly takes Kamadhenu with him. When Parasurama comes to know of this, he goes to battle with the king, kills his army and brings Kamadhenu back.
The king’s three sons become enraged and they in turn stab Jamadagni 21 times before they cut his head off and take it with them.
Parasurama kills the three brothers, brings his father’s head back and performs the last rites. His fury unabated, he kills 21 generations of kshatriyas for the 21 times that his father was stabbed.
It is said that Parasurama performed his destiny of ridding the earth of sinful rulers in this manner.

This Jayanti falls on the Shukla Paksha Tritiya, (third day of the bright half of the moon) during the month of Vaishakha.
Parasurama was born during pradoshakaal (one and a half hours before sunset to half an hour after sunset). Hence, Parasurama Jayanti is celebrated on the tritiya during pradoshkaal. This year it occurs on April 18.
On the day of ParasuramaJayanti, devotees undertake a fast and worship Lord Vishnu. Many stay awake through the night and recite the Vishnu Sahasranama. They donate food to brahmins. The day is considered auspicious and work undertaken on the day is believed to give good results.
It is said that Parasurama is immortal and continues to live on earth. The bow in Sita’s swayamvar was given by Parasurama and when Ram tries to string the bow, it breaks in half. Parasurama is said to have heard the great sound all the way at the hills of Mahendra where he was meditating.
He then stops Rama and Sita’s journey to Ayodhya after their marriage and challenges Rama. Rama wins the challenge but tells Parasurama that since he is a brahmin and related to Vishwamitra maharshi, he will not kill him. He simply destroys the merit that Parasurama has earned through penance. Parasurama then returns to the hills of Mahendra.
Parasuramais also the martial guru of Bhishma, Dronacharya, and Karna, the first three chiefs of the Kaurava army in the Kurukshetra battle. When Amba asks him to interveneto make Bhishma marry her, he fights Bhishma, but it is the latter who has the upper hand.
Meanwhile, the spirits of Parasurama’s ancestors tell him to make this battle his last and that he does not need to fight to protect brahmins any longer.
To be taken as his disciple, Karna tells Parasurama that he is a brahmin. One day, when Parasurama is asleep on Karna’s lap, a scorpion bites Karna. Karna bears the pain so that his guru’s sleep is not disturbed. But, the flow of blood from the wound wakes Parasurama.
Realising that Karna, who could bear the pain of the scorpion sting, was not a Brahmin, Parasurama curses him that when he most needs his divine weapons, he will forget how to use them, which takes place in the Kurukshetra war.
Kalki Purana states that Parasurama will be the martial guru of Kalki, Lord Vishnu’s 10th avatar.
Parasurama is believed to have lived on the west coast, in the Konkan, Karnataka and Kerala regions. He is said to have reclaimed Kerala from the sea and settled a community in the region.
Parasuramais depicted with the matted locks of a sage and sometimes, with two arms, with an axe in one. At other times, he is depicted with four arms, carrying an axe, a bow, an arrow, and a sword.
This 2000-year old temple near Thiruvananthapuram in Kerala, is on the banks of the river Karamana at the sangam of the rivers Karamana, Killi and Parvathiputhanar. It remains closed during the solar and lunar eclipses. Parasurama is said to be the founder of northern Kalaripayattu, the martial art that uses weapons.
After killing kshatriyas, Parasurama washes his axe in the river Malaprabha, turning it red with the blood of those that he had killed. The location is Aihole in present-day Badami taluka in Karnataka.
Built on the lower regions of the Lohit river in Arunachal Pradesh, it is said to have been established by Parasurama himself.